Moore’s use of —pairing the sterile language of breeding registries with emotive, sensory imagery—exposes the reduction of living beings to bureaucratic categories.
An interdisciplinary literary‑cultural analysis of mixed‑breed representation in modern dog‑centric storytelling
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Future research might extend this analysis to representations of mixed‑breed animals, or explore digital media adaptations that further democratize animal subjectivity.
The recent anthology (2025) compiles a diverse selection of short stories, poems, and illustrated vignettes that foreground mixed‑breed dogs as cultural symbols, narrative agents, and sites of identity negotiation. This paper investigates how Moore’s work reconfigures traditional notions of purity, pedigree, and anthropocentric hierarchy by foregrounding “mixedness” as a literary and aesthetic strategy. Drawing on theories of animal studies, hybridity, and narrative ethics, the analysis demonstrates that the anthology simultaneously (1) celebrates the lived realities of mixed‑breed dogs, (2) critiques the commodification of pedigree breeding, and (3) proposes a speculative ecology of interspecies companionship. The study concludes that Moore’s “Mixed Beast‑iality”—a neologism that deliberately plays on the word “beastial” to foreground the beastly (animal) rather than the illicit—offers a model for humane, imaginative engagement with domestic animals in contemporary literature. Moore’s use of —pairing the sterile language of
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Moore’s anthology insists that mixed‑breed dogs possess equal to that of pure‑bred or human characters. This stance supports a rights‑based ethic (Donaldson & Kymlicka 2011) that demands legal and cultural recognition of mixed‑breed animals beyond rescue stereotypes. Drawing on theories of animal studies, hybridity, and
Martha Nussbaum (2006) and Sue Donaldson & Will Kymlicka (2011) have advocated for within narrative structures. The term “beastiality” (re‑appropriated by some animal‑rights writers) is occasionally used to denote an ethical intimacy with non‑human life, distinct from the illegal sexual connotation (Klein 2022). Moore’s subtitle explicitly engages this linguistic reclamation.
Mixed‑breed dogs, animal studies, hybridity, narrative ethics, domesticity, Chessie Moore, speculative ecology, cultural representation