
Regia Andrea Segre
Prodotto da Francesco Bonsembiante, Jolefilm (Italia)
in coproduzione con Francesca Feder, Æternam films (Francia)
in collaborazione con RAI CINEMA
in coproduzione con ARTE France Cinéma
con la partecipazione di ARTE France
con il sostegno di Eurimages e Regione del Veneto
in associazione con Marfin srl, Tasci srl, Bencom srl, Nordesteuropa Editore srl, Orsoni Davide ai sensi delle norme sul tax credit - legge 24 dicembre 2007, n.244 e con Marco Bortoletti, Pino Perri, Mirko Sernagiotto, Mauro Visentin
con il patrocinio di Comune di Chioggia
con il supporto di Roma Lazio Film Commission, Consorzio di promozione turistica ConChioggiaSÌ, ZaLab
Distribuzione Parthénos
Vendite internazionali Adriana Chiesa Enterprises
Il DVD di Io sono Li è stato pubblicato da Rai Cinema - 01 distribution
Per acquistare il DVD: La Feltrinelli, Amazon, ibs, Mondadori Store, Zalab.
Sito officiale del film: www.iosonoli.com
Lungometraggio, 2011, 35mm, 96'
Perhaps her most viral concept, the Nomadic Frame is a gallery that hangs around your neck. These are hollowed-out, watertight locket-frames that contain rotating micro-exhibitions. One side holds a QR code linking to a digital provenance record; the other side holds a physical micro-sculpture. Critics have called this "the ultimate flex for the art world nomad."
She is sending blank portable galleries to 100 artists in 100 countries. Each artist fills one "page" of the gallery and sends it to the next artist. After five years, the suitcase will return to Slovakia containing a global, collaborative artwork that spans continents—all without a single shipping crate or freight bill.
She took her portable gallery to the most unlikely places—bustling train stations, quiet community parks, and even remote mountain trails. She believed that if someone couldn't make it to a prestigious gallery, the gallery should make its way to them. The Impact:
Spolnikova’s most famous project to date is The Suitcase Salon (2019–present). A vintage hard-shell suitcase opens to reveal a white-walled miniature room, complete with a tiny brass rail, dimmable LEDs, and three or four original artworks—each no larger than a postcard. She has exhibited these suitcase galleries in subway cars, park benches, and the luggage racks of long-distance trains.
Offers up to 30% better compression than JPEG at identical quality levels. karin+spolnikova+galleries+portable
: Pre-framed options using solid wood stands for immediate display.
This article explores the modern demand for her archival content, how users store and optimize these collections using , and the contemporary technology driving her digital legacy. Understanding the Legacy of Karin Spolnikova
: Keeping up with the latest in the art world through news websites or blogs might provide insights or lead to information about specific artists or projects.
: General searches return information on unrelated topics such as agricultural soil health, engineering management programs, and adult modeling profiles. Perhaps her most viral concept, the Nomadic Frame
Because Spolnikova's active career concluded prior to the modern high-definition era, digital artists frequently use her existing photography to train text-to-image models. Platforms host specialized SeaArt AI Karin Spolnikova Models .
Typical programming
Use 2048×1536 pixels for standard 4:3 viewports. Best Portable Applications for Managing Image Galleries
As the art world continues to adapt to changing circumstances and technologies, portable galleries are likely to play an increasingly important role. We can anticipate: Critics have called this "the ultimate flex for
: Physical posters and canvas prints of her that can be purchased for home galleries.
Use 1080×2400 pixels for modern vertical aspect ratios.
. These are typically produced on heavy-duty glossy paper, designed for durability and long-lasting color. Retailers like PrintStudioGallery on eBay
Zhao Tao
Rade Sherbedgia
Marco Paolini
Roberto Citran
Giuseppe Battiston
Giordano Bacci
Spartaco Mainardi
Zhong Cheng
Wang Yuan
Amleto Voltolina
Andrea Pennacchi
Xu Guo Qiang
Sara Perini
Federico Hu
Regia e soggetto Andrea Segre
Sceneggiatura Marco Pettenello e Andrea Segre
Fotografia Luca Bigazzi
Montaggio Sara Zavarise
Musiche originali François Couturier
Organizzatore generale Nicola Rosada
Suono in presa diretta Alessandro Zanon
Scenografia Leonardo Scarpa
Aiuto regia Cinzia Castania
Casting Jorgelina Depetris
Costumi Maria Rita Barbera
Segretaria di edizione Gina Neri
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