Silverstack Lab 649 Exclusive ◆ 〈Recent〉

The standout feature of the Lab version is its ability to encode multiple dailies formats at the same time. While backing up RAW footage from Arri, RED, or Sony systems, the software can concurrently render: ProRes copies for editorial pipelines.

Historically, DITs (Digital Imaging Technicians) and data managers had to use one piece of software for checksum-verified backups and media organization, and another completely separate application for transcoding proxies, syncing audio, and rendering dailies. This created bottlenecks, introduced the risk of human error during file transfers between programs, and cost valuable time.

If you need assistance identifying a specific version or exclusive licensing option from Pomfort, please contact their sales team directly. No public reference to “649 Exclusive” exists in their official documentation. silverstack lab 649 exclusive

The software is designed to remove "busy work" so DITs can focus on creative quality control. Silverstack Lab Use Cases - Pomfort

One of the most tedious and time-consuming tasks in post-production is manually syncing externally recorded audio to video clips. Silverstack Lab automates this entirely using . The software analyzes the metadata of your video clips and audio files (e.g., from a Sound Devices recorder) and automatically syncs them. It also provides tools for manual syncing using slate markers if timecode isn't perfectly aligned, and allows you to mix audio tracks, adjust levels, and pan channels directly within the software before rendering your dailies. The standout feature of the Lab version is

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Automatically marry audio to video while applying the cinematographer’s exact on-set color pipeline. This created bottlenecks, introduced the risk of human

Creating ALE (Avid Log Exchange) files for instant metadata import.