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Documentary Growing 1981 Larry Rivers Download Updated __link__ Review

Unlike standard music documentaries, Growing is stylized as an "experimental video diary." Larry Rivers, known primarily as a painter, approached the film with an artist's eye. It captures The Hollies during a transitional period in the early 1980s. It features live performances, recording studio sessions, and behind-the-scenes footage. Notably, it captures the band’s reunion with original vocalist Allan Clarke and highlights their commercial resurgence, including their hit "Stop! In the Name of Love."

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The early 1980s were a critical junction in art history, seeing the rise of neo-expressionism and a resurgence of interest in figurative painting. Larry Rivers was a bridge between generations. documentary growing 1981 larry rivers download updated

The footage captures the girls as they age from roughly 11 to 16, often filmed topless or naked . Rivers can be heard off-camera asking intrusive questions about their developing bodies and physical changes.

Rivers' ex-wife, Clarice, originally blocked the public screening in the early 1980s. The footage remained largely hidden until 2010, when New York University (NYU) refused to accept it as part of his archive, sparking a massive debate over where "art" ends and exploitation begins. Critical Review & Perspectives Unlike standard music documentaries, Growing is stylized as

The documentary famously features long, uninterrupted takes of Rivers in his studio, smoking, sketching, and engaging with large-scale canvases. It highlights his technique of combining traditional figure drawing with modern, chaotic artistic elements.

His work blurred the lines between high art and vulgar reality. He painted erotic nudes of his mother-in-law, deconstructed American history, and lived a notoriously hedonistic life. By 1981, Rivers was already a controversial figure. So, when he announced a documentary about his own family, the art world leaned in. Notably, it captures the band’s reunion with original

By the late 1970s and early 1980s, Rivers increasingly experimented with video as a medium. He used consumer-grade and early professional video equipment to document his personal life, his family, and the changing cultural landscape of New York City. These video diaries ultimately culminated in several structured film projects, including Growing . The Context of 'Growing' (1981)

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