Critics often describe the film as a "lighthearted erotic dramedy". While mainstream critics like those at Sight & Sound dismissed it as "corny soft-porn", genre enthusiasts praise it for its vibrant 1970s-style cinematography and a soundtrack by .
Italian critics were notably harsh. One review in il manifesto famously derided the film as "a film on the ass of Yulya Majarchuk," suggesting a lack of genuine eroticism and substance. On Italian discussion forums, opinions were divided. Some viewers found it "not bad, for being a Brass film," acknowledging it as a work to be watched primarily for its lead actress's physical appeal. Others labeled it "one of the least successful of Brass" and "a more tired and schematic film than usual".
(Matteo): Represents the conflict of traditional values in a changing social landscape.
The film is largely defined by the performance of Ukrainian actress , who plays the lead role of Carla. Critics have noted that Mayarchuk delivers a commanding performance that brings a sense of liberation to the character's narrative arc. Style and Reception
By the time of this release, the director had established a recognizable aesthetic. Trasgredire utilizes specific camera techniques and a vibrant color palette that became synonymous with his later works. trasgredire cheeky tinto brass 2000 tras link
Yuliya Mayarchuk (Carla), Jarno Berardi (Matteo), Francesca Nunzi (Moira) Pino Donaggio Running Time 91 minutes The Plot: A Journey of Transgression and Freedom
In recent years, Trasgredire has seen renewed interest through high-definition restorations. These versions are often sought after by collectors of Italian cult films, as they offer a clearer look at the original cinematography and production design. These releases typically include historical context and interviews regarding the film's place in the 2000s cinematic landscape.
The technical credits of the film are notable, featuring a musical score by Pino Donaggio, a composer well-known for his collaborations with major international directors. The cinematography aims for a bright, vibrant aesthetic that characterizes much of Brass's later work. Stylistic Approach and Cultural Impact
This film represents a significant chapter in the later stage of the director's career, showcasing a specific stylistic approach to the genre. The following sections examine the production background and cinematic elements of this entry in the filmography. The Production of Tra(sgre)dire (2000) Critics often describe the film as a "lighthearted
Visually, the film is characterized by Brass's famous obsession with the female derrière. He famously claimed that "the ass doesn't lie," in contrast to the face, which can be a "hypocrite mask". This fixation is on full display throughout the film's many voyeuristic and crotch-centric shots. The film also draws certain parallelisms with Nerosubianco (1969), an earlier Brass film also set in London.
The 2000 Italian cult film (released internationally as Cheeky ) is a landmark release in the late-career filmography of erotic maestro Tinto Brass . The movie is a vibrant, lighthearted exploration of female liberation, fidelity, and sexual experimentation set against the colorful backdrop of London and Venice. Known for its witty wordplay—the Italian title is a clever pun blending trasgredire (to transgress) and tradire (to betray)—the film has maintained a dedicated following for over two decades.
The film centers on a pivotal change in their relationship as they move to London. The narrative explores whether their love can remain "unbreakable" even when confronted with the realities of infidelity and voyeurism.
(Yuliya Mayarchuk), a young Venetian woman who moves to London for a hotel internship. While searching for an apartment to share with her boyfriend (Jarno Berardi), she meets a bisexual real estate agent, One review in il manifesto famously derided the
The film rests almost entirely on the shoulders of its lead actress, as Carla. The Ukrainian-born model and actress delivers a performance that critics have described as "dominant," "uninhibited," and "charming". She portrays Carla not as a victim of her desires, but as a woman who actively and joyfully chooses to live by her own rules. Her natural charisma and screen presence make the film's controversial themes palatable, even enchanting.
Her search for a flat leads her to Moira (Francesca Nunzi), a bisexual real estate agent who is immediately taken with Carla. Moira agrees to rent Carla a stunning loft but attaches an "intimate condition," leading to a passionate affair between the two women. Meanwhile, back in Venice, a suspicious Matteo discovers a stack of steamy love letters from Carla’s French ex-boyfriend, Bernard, along with a revealing nude photo of her on a beach.
The English title, Cheeky , perfectly encapsulates the film's spirit—a blend of impudence, playfulness, and a hint of naughtiness. The keyword phrase highlights a crucial aspect of the film's modern existence: its availability online. The term "tras link" underscores that Trasgredire can be found on various streaming platforms, both official and unofficial. While official availability may vary by region, the film has maintained a presence in the digital landscape, ensuring its continued accessibility to a global audience.
To understand Cheeky , you first have to know its creator. Tinto Brass is an Italian film director who began his career in the 1960s with avant-garde and political films but became world-famous for his work in the erotic genre starting in the 1970s. He is most known for his unique visual style, which often features elaborate sets, vibrant colors, and a deep focus on celebrating the beauty of the female form. His most notorious film is the 1979 historical epic Caligula , but his later, more personal works like Paprika (1991) and Monella (1998) cemented his reputation.