: It was released just four years before the highly successful Disney animated Tarzan (1999)
If you’re a writer, teacher, or fan of classic adventure, consider taking up this challenge. The jungle still calls, but now it whispers a new story—one that belongs to everyone.
The film is anchored by Rocco Siffredi as Tarzan and Rosa Caracciolo as Jane. Siffredi is physically perfect for the role, embodying the primal, muscular archetype of the apeman, though he plays the character with a more bestial, feral edge than the traditional Hollywood version. Caracciolo, however, is the standout. She brings a surprising amount of dignity and grace to Jane, delivering a performance that elevates the material. Her portrayal of a repressed aristocrat finding liberation in the wild adds a layer of psychological depth that the script didn't necessarily require, but certainly benefited from.
Many viewers praise Siffredi's physicality, noting he "looks the part" even if the acting is rudimentary.
Based on archived posts from the Lost Media Wiki and Adult Swim’s early message boards , here’s the supposed plot of the “Engl Better” version: tarzanxshameofjane1995engl better
The plot loosely adapts the Edgar Rice Burroughs formula. Jane joins her father on an expedition, becomes lost in the jungle, and encounters the wild man raised by apes. Instead of a damsel in distress narrative, the film focuses on Jane’s sexual and emotional awakening. The conflict arises when civilization invades their paradise in the form of a villainous hunter, leading to the inevitable "save the damsel" climax. It’s standard pulp fare, but it serves its purpose of bridging the erotic scenes together.
"It's Italian and thus inherently 'classy.' Tarzan's reintegration into society is a hasty one. In the span of a weekend (or less) he goes from not being able to speak to asking the maid 'Can't you help me play games of love?'"
A "deep paper" or critical look at this film typically explores the following themes:
The English dubbing was handled with more professional oversight than typical low-budget imports, maintaining the "campy" yet earnest tone of the parody. : It was released just four years before
The climax is not a rescue but a revelation. When a British hunting party finally arrives, Jane hides them. She tells Tarzan they were “ghosts.” The story ends with her staring into a polished silver hand mirror (her last possession from Baltimore), watching herself cry silently as Tarzan sleeps beside her, one possessive hand locked around her ankle. The final line: “I have become the animal. And oh, he is so beautiful.”
Directed by Joe D'Amato (Aristide Massaccesi), a prolific Italian filmmaker known for his technical proficiency in lighting and framing. 2. Narrative and Dubbing (The "Engl" Factor) The English version is often preferred for several reasons:
You can check the Tarzan-X: Shame of Jane Letterboxd Profile to read reviews from international fans, check ratings, and see discussions on which versions and releases are considered the highest quality by the community.
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The English script aligns well with the visual cues, ensuring the narrative flow between action sequences remains intact. 3. Star Power
By the 1990s, his career had taken a turn. A review on IMDb bluntly states, "I guess mainstream cinema had run dry for the director by that stage... and he instead found profit in grot". This period of his career was defined by a relentless output of hardcore adult films, of which Tarzan-X: Shame of Jane is a prime example.
Siffredi and Caracciolo were a real-life couple during the production. This genuine emotional connection translated heavily on-screen, turning what could have been a standard parody into an authentic romantic fantasy that critics and modern film reviewers note carries genuine "heart." Why the "Engl" (English) Version Demands a Better Cut